They’re shorts, so I’ll try to be brief, but I love the shorts.
- Bear Story (Chile). This warm fuzzy (not!) has the most interesting technique of the bunch. Don’t know what it’s called, so I’ll dub it mechanized magic. It could win on sheer complexity — I imagine it took years to make — but the story was way too grim for me: Instead of running away to the circus, Papa Bear gets kidnapped, tortured for years/decades, only to escape and find Mama Bear and Baby Bear either murdered (ursacide!) or nabbed as well. So what else? He becomes the Quentin Tarantino of Bearywood and peddles his sad story on the street. Or something like that, it might just be he’s a psychotic, morose tinker-tailor bear. Could be a metaphor for fascist oppression. What happened to gleeful cartoons?!
- Prologue (United Kingdom). I sampled the shorts via the cinema-house bundle, and this one was saved ’til last because it contained “nudity and violence” and was “not suitable for children,” giving responsible parents time to shuttle out the kids. Sorry, Charlie. It’s also not suitable for adults. I’m no prude; in fact, I was looking forward to an R- or even X-rated cartoon, but this was sick, sick, SICK, Mister. Gratuitously so. It involves gladiators who murder by sticking swords up each other’s genitals. Not even as good as it sounds. I hope the artist does not have access to sharp objects other than colored pencils. What’s scary is the “artist” says he wants to make it a feature film. Please, let’s start a Kickstarter and pay Richard Williams off if he’ll promise never to create anything again. Listen, below, to his insanity (and it figures he “conceived” the idea when he was 15 — I wonder what it was that “happened to him three years ago” — did he fall on his head or get kicked in the nuts?!):
- Sanjay’s Super Team (USA). A Hindu youngster wants to watch his superhero cartoons on the boob tube on one side of the room, but his dad insists he comes pray on the other side in the armoire altar. Then the kid gets religion, realizing gods are actually superheroes, too. Super cute!
- We Can’t Live Without Cosmos (Russia). Dedicated to “our friends,” this one was extremely touching. Two cosmonauts, 1203 and 1204, dream their entire lives of space and play and train together — showing work should not be work but should be JOYFUL — but then one is lost and the other loses his mind. It even seems a bit rebellious, anti-government-ish, though approved by censors. Wouldn’t mind if it won, except the technique reminds me a little too much of Space Ghost, just two-dimensional, literally and figuratively.
- World of Tomorrow (USA). Indescribably brilliant. I tend to judge shorts based on which ones I’d tell my adult children they MUST see. This is it. Emily Prime, on the right (I’m guessing she’s 3), is playing with the computer and ends up meeting her future third-generation clone, on the left. I can’t even tell you. Poignant, prognosticating and belly-tickling funny. MUST-SEE. MUST-WIN. (It is streaming on Netflix, if you have a free 16 minutes.)
Among the also-rans packaged in the feature as “highly commended”:
The Short Story of a Fox and a Mouse (France). Theme: finding friends in strange places/faces. This student-created dreamscape feels like an audition tape to join the coveted Disney/Pixar team, though the fur was friggin’ flawless and the enemy owls, a hoot.
Catch It (France). Another animal tale in the tradition of Road Runner. And again? The birds (a turkey vulture) are the villains!?!? C’mon! This classic-feeling cartoon will appeal more to kids than will any of the others. But … oh shoot, you can’t bring your kids because Sir Richard Williams ruined the fun for everyone, didn’t he? A bunch of meerkats pine for one fragrant fruit, then tangle with a vulture for possession.
If I Was God (Canada). For those who prefer stop-action, this autobiographical memory sketch will more than satisfy. Adored the section where the narrator is daydreaming and the images become pieces of cardboard, complete with corrugated seam. The frog-dissection scene is alone worth your ticket and time. A lady in my theater exploded in laughter and became her own spectacle. Story line ended up feeling too narcissistic for me, though. (Apparently animators are gods?)
The Loneliest Stoplight (USA). A tender treatise on the rush of technology. Evoked two huge laughs from the audience. Probably my second-favorite. Am I just about technological cautionary tales this year? You decide: For 99 cents, you can stream it on vimeo.
In short …
My money’s on:
Prologue, sad to say, because the forbidden fruit always gets picked, plus this guy knows everyone in Hollywood, he animation-directed Who Framed Roger Rabbit, won an Oscar for his adaptation of A Christmas Carol, this is his “life’s work,” and because it illustrates the Spartan/Athenian wars 2,400 years ago, apparently it’s educational. Aaaaack.
My heart’s with:
World of Tomorrow, for reasons stated above. Watch it, you’ll see.